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简介：2012年9月19日，全世界数一数二的自行车展INTER BIKE在美国的拉斯维加斯开幕而一场酝酿已久的风暴在拉斯维加斯著名酒店The Palms Hotel附属的The Pearl Theatre影院爆发。在这个全世界山地车车迷的盛大日子，堪称自行车电影史上最大投资的电影《Where the trail ends》在这里举办了首映礼！ 2012红牛山地史诗大片《Where The Trail Ends Red Bull》 拍摄历时2年，在新疆戈壁、在犹他北部、在阿根廷卡法亚特、在尼泊尔秘境Mustang这些销魂的地方奔腾着。这是一部讲述世界顶级自由山地自行车手的电影，这些雄心勃勃的山地自行车手们在世界各地挑战各种险峻的地形，挑战自己的极限和大自然。

简介：从灯火通明的大都市，到人烟稀少的深山老林；从广阔无垠的大草原，到人迹罕至的沙漠戈壁；从长年积雪的高海拨山区到一望无际的平原；从浩瀚大地到碧海蓝天……中国，这片古老而又神奇的土地，囊括了多种特质的地貌，哺育着各族儿女，也孕育着各类珍奇野兽，奇花异草这次，通过镜头，我们去探访散落在这片土地上的美丽奇景。沿着长江流域，去看喀斯特地貌造就的奇石怪林；去云南的热带雨林，寻找亚洲野象、滇金丝猴；来到青藏高原，奔赴内蒙草地，攀爬山脉，眺望西部边陲。这里，是你我熟悉又陌生的美丽中国。 本片是CCTV和BBC第一次联合摄制的作品，历时4年拍摄，使用了航拍、红外、高速、延时和水下等先进摄影技术。一共六集，分别为《富饶华南》、《彩云之南》、《青藏高原》、《长城以外》、《龙之疆域》和《喧闹海岸》。

简介：Three celebrities each investigate whether a particular aspects of themselves is innate at birth or acquired later in life.

简介：由黑人陈建州担任监制的纪录片《态度》，讲述了热血少年“台湾啤酒”篮球队，如何在战绩低迷的时候，靠着爆发的小宇宙和永不放弃的拼搏精神，挺进冠军赛的青春励志故事 影片真实记录下了这帮大男孩儿的喜怒哀乐，团队之间的分歧、比赛当中的冲突、令人感人的兄弟情以及伤病带给他们的困扰和痛苦。一度面临解散危机的台啤篮球队，并没有因分数落后而士气不振。他们没有放弃，反而在2006年SBL第三季靠着实力昂首挺进冠军赛，创造了“绿色奇迹”！就像影片所说，“你的态度，决定你的梦想”！

简介：现在还有什么东西不用塑料做？塑料在任何家庭中都已经成为最普通的物品——它便宜，用途多样而且耐用然而塑料是不可生物降解的，并且虽然它看起来容易丢弃，许多种塑料并不容易回收，所以大多数塑料物品注定将永远成为垃圾。更糟的是，塑料加工经常产生有毒废物，处理废品塑料产品的方式是隐藏问题——大规模的陆地堆填和海洋倾倒，而不是解决它。影片制作人Ian Connacher探寻了不负责任的成瘾的塑料使用所造成全球环境影响的后果。 What isn't made of plastic these days? Plastic has become one of the most commonplace items in any household -- it's inexpensive, versatile and durable. However, the latter quality is also plastic's Achilles' Heel -- while it's easy to make things out of plastic, plastic is not biodegradable, and though it seems easy to throw away, many types of plastic aren't easily recyclable, so most plastic items are destined to become garbage that lasts forever. Even worse, plastic manufacturing often produces toxic waste, and disposing of unwanted plastic products has resulted in massive landfills and ocean dumps that simply hide a problem rather than solving it. Filmmaker Ian Connacher explores the global environmental consequences of the irresponsible use of plastic materials in Addicted To Plastic! The Rise and Demise of a Modern Miracle, an activist documentary that explores how plastic became an inescapable commodity and how we can (and why we must) wean ourselves off of it. Addicted To Plastic was an official selection at the 2008 Vancouver Film Festival. A film by Ian Connacher, Cryptic Moth Productions. Award winning documentary reveals the history and worldwide scope of plastics pollution, investigates its toxicity and explores solutions. Bullfrog Films. 85 minutes.

简介：英国Eels乐队的一名歌手Mark Oliver Everett将为你讲述他的天才父亲的传奇悲剧人生和神奇经历他的父亲曾在24岁发表了一篇"多重世界"的物理论文，震惊了全世界，但物理学界并不买账，他的父亲只能放弃了量子物理学。现在这件事被认为是物理学界最严重的悲剧之一，他的理论如此超前以至于当时的人无法理解，50年后的今天人们才证明了他的理论... Singer Mark Oliver Everett - E from the Eels - explains why he made a film about his brilliant, tragic father Shortly after my father died the phone started ringing. My father was Hugh Everett III. When he was 24 he wrote a ground-breaking thesis about physics most commonly known as "the many worlds theory". It challenged the accepted notion of how the world works in such a huge way, stating that there were actually countless versions of ourselves splitting off and going through as many different scenarios as you could imagine, and the physics powers that be (Albert Einstein, Niels Bohr) were having none of this. They weren't about to let a 24-year-old knock their faces off the Mount Rushmore of physics. Getting no encouragement, my father gave up on quantum physics. It's now considered to be one of the greatest tragedies in physics that my father wasn't taken seriously. He was so ahead of his time that there weren't even ways to prove his theory mathematically, but now, 50 years later, there are. And it checks out quite well. I knew this day was coming ever since the phone started ringing in 1982. It was always some "physics groupie" asking for my mother so they could grill her for information about my father. And, as time went on and technology caught up with him, the interest kept mounting. I'm a singer and songwriter in a rock band called Eels. I never knew much about physics and my father was a complete mystery to me, even though I lived in the same house with him for 18 or 19 years. He rarely spoke. He was an ever-present lump of flesh sitting at the dining room table every night writing out crazy calculations on a pad of paper. That's about all I saw of him. When the BBC asked if I was interested in making a film, I jumped at the chance. I have tended to deal with my family by making them into little art projects. I made an album in 1998 called Electro-shock Blues that dealt extensively with my sister's and mother's deaths. While my sister's suicide note did indeed contain a passage about going off to meet our father in a parallel universe, I hadn't made anything that dealt with my father the way I had dealt with the rest of my family, and this was the way I liked to do it: make something that is therapeutic for me personally that, hopefully, can offer something for the rest of the world. The idea made me both excited and uncomfortable. And the uncomfortable part was what made me know it was something I'd have to do. I didn't like the idea of opening up that world of pain and going back to Virginia and Washington DC, places where I can smell the dread in the air because of all the painful memories. But to get the chance to hang out with my father's college roommates, who are all still alive, friends and coworkers, was too interesting for me not to go through with. I knew I was going to learn a lot about both physics and my father. And I did. The first few days of shooting were awkward and I felt pretty uptight. Then one day while I was being interviewed on camera about some painful experience, I heard Louise [Lockwood], the director, softly click her mouth and whisper, "Aw, E..." Suddenly I thought: "These people actually care about me." I then relaxed and probably started saying all sorts of things I would have been too guarded about before. I was struck by what a tragedy my father's life was. He has contributed something huge to the world, but for him it was painful. How would you like to come up with something so mind-blowing about how the world works, confident that you knew it was true, but have no one support your view? It must have been the loneliest life, being the smartest guy in the room, just having to shut up and keep your thoughts to yourself while the regular chimps all chat away. I was determined to help to give him the day in the sun he never got when he was alive. I spent a week at Princeton learning about physics and hanging out with my father's old friends. I did not inherit my father's gift for mathematics, and can barely calculate the tip after dinner, so it was a real challenge for me to be standing in front of blackboards learning about quantum physics. But I came to have a pretty good understanding of my father's theory. In Virginia I met some of my father's coworkers and even went inside the Pentagon (who knew security was so lax?). It was a very difficult process for me, but when it was over I felt really glad that I had done it. It's not easy going back to a place you really don't want to go back to and opening boxes of memories. Particularly with a film crew following you, trying to make you cry ("How does that make you feel, E?"). I'd be really glad if I had a son do something like this for me some day, so I'd like to think that my dad is smiling down from some parallel universe and saying, "thanks".

简介：Lovecraft's Fear of the Unknown这部纪录片向观众们展示了克苏鲁神话背后的生活、工作和思想剧本和导演为Frank H. Woodward。制片人为William Janczewski, James B. Myers和Woodward。本片荣获2008年Comic-Con国际独立电影节最佳纪录片奖。 关于克苏鲁神话 克苏鲁神话(Cthulhu Mythos)是以霍华德·菲利普·洛夫克拉夫特的小说世界为基础，由奥古斯特·威廉·德雷斯整理完善、诸多作者共同创造的架空神话体系。克苏鲁并非此架空世界中的主神，虽然它是在地球上很常见的信仰，这些神话的题材可能来自世界各地神话传说的再诠释（如北美传说中的雪怪温迪戈(Wendigo)）。只要是接受洛夫克拉夫特小说的概念而衍伸创作的小说都可以纳入此神话的一部分，所以此神话系统至今还在扩展，仍有许多新的创作。

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简介：美籍华裔作家张纯如（Iris Chang 1968.3.28—2004.11.9），在完成自己第一部作品《蚕丝》后，开始将目光着眼于发生在20世纪30年代末的那场惨绝人寰的大屠杀1937年，日本侵华战争爆发，短短几个月内，中华大地狼烟滚滚，生灵涂炭。日军长驱直入，攻陷时为国民政府首都的南京，并对这座城市和城中的军民进行了丧失人性的洗劫和杀戮。这场超过30万人丧生的大屠杀，却在战后因种种原因而鲜为人知，甚至日方一再否认大屠杀的存在。 为了还原历史，还受害者与公道，张纯如一面收集大量第三方资料，一面前往南京、上海等地与屠杀幸存者进行面对面的取证交谈，前后历经三年时间，终于在1997年南京大屠杀60周年之际推出《南京暴行》一书，使这段“被遗忘了的大屠杀”的历史为世人所知。 2004年，张纯如在筹备第四部作品期间饮弹自杀。 本片由多伦多史维会和大地娱乐（香港）有限公司共同投资拍摄，由华裔郑启蕙扮演张纯如。

简介：一个电影制片作记录片在缅怀自己被杀的好友时却发现那个杀死他的女人原来怀着被杀好友的孩子 导演库尔特极为强大的纪录片，初衷是为缅怀被杀的朋友安德鲁巴格比，他在2001年被疯狂的前女友谋杀了。然而，当库尔特飞越大半个地球去采访杀死巴格比的女凶手的朋友和家人时，发现那个女凶手雪莉特纳，早已逃到纽芬兰逃脱逮捕。由于加拿大法律背后的干预保护，她仍是自由人;在此期间，她透露她怀了安德鲁的孩子。大卫和凯瑟琳（安德鲁巴格比的父母）知道这个女人得为他们儿子的死负全责之后，他们也去了纽芬兰，以便更接近自己的亲孙子。然而这让事情变得更糟。

简介：什么是电影特效，股票市场，和心脏病的共同点？它们连接了一个革命性的新的数学分支，改变了我们看世界，开辟了广阔的新领域，以科学的分析和理解数学家们开发不规则碎片形是从单纯的好奇心到接触几乎每一个分科的理解，包括我们宇宙的命运。

简介：历时三年拍摄完成的李云迪自传式纪录片《新浪漫主义》是受霍洛维茨晚年的电影《最后的浪漫》启发而拍摄的，投资200万美元，由曾担任《红色小提琴》等50多部电影制片的大牌电影人NivFich-man指导三年来，摄制组拍下了李云迪在德国、日本、加拿大、美国以及中国各地演出，在大师班进修的实况，还记录了他与小泽征尔、柏林爱乐合作录音的过程，也包括一些他的私人生活片段，该纪录片时长90分钟。

简介：An intimate portrait of poet, painter, musician and singer Patti Smith that mirrors the essence of the artist herself.

简介：崔益钧和李三顺是一对生活在韩国京北山区中的老夫妇，年届耄耋的他们仍无法放下手中的活计，终日往返小家和田地之间相比能说会道且经常抱怨的老婆，崔益钧显得沉默寡言。他童年时一条腿遭受枪伤，导致行动不便，农活更成为一大难题。幸亏一头老黄牛常伴左右，四十多年来，老黄牛不仅帮夫妇俩分担大部分劳动，还使他们得以供子女上学，崔益钧老人对黄牛疼爱有加，甚至胜过妻子。春去秋来，烈日寒霜，时间在重复中缓缓流淌。转眼经年，夫妇俩年事已高，步履蹒跚，而操劳多年的老黄牛也即将走到生命的尽头…… 本片荣获第13届釜山国际电影节最佳纪录片奖。

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简介：杰尼斯家族重要成员山下智久，被热爱他的粉丝亲切称为山P自11岁踏入演艺圈，他跟随在前辈身后歌唱跳舞，暗自朝着目标而努力。经过11年的打拼，如今已成为娱乐圈炙手可热的明星。繁忙紧张的日程，奔波周转于各杂志的拍摄现场，英俊的外表下，却罕见他露出微笑。而面对情热大陆摄制组的镜头，山P既不主动迎合，也不刻意回避，严肃的外表下纯真直率，毫不介意是否会引起误会。 22岁的山下智久，一面在大学里努力读书，一面在电影、写真、歌唱、电台、广告等领域努力拼搏。人生的一半在娱乐圈度过，注定忙碌的22岁，只愿毫不荒废地充实度过……